Schuster & Schuster

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Schuster & Schuster

Schuster & Schuster

A comic edutainment series following two special agents from “the national connections agency”, who in each episode, are trying to discover the connections between three seemingly unrelated topics (related to science, culture, history and technology). During their investigation, they and the viewers learn about those subjects and try to crack the hidden connections, which add up another layer of information and knowledge (not to mention fun). The series is aimed at broadening horizons, developing curiosity and original thinking

The Arabic version of the format YOU CAN’T ASK THAT

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The Arabic version of the format YOU CAN’T ASK THAT

Each episode asks controversial questions sourced from the public to a minority Israeli population including people of transgender, Ex-prisoners, refugees and more.

The show aims to offer insight into the lives of marginalized communities and break down stereotypes

Still Standing

An exciting prime-time gameshow in which one contestant takes on 10 opponents in nerve-wracking head-to-head trivia duels until he is left the last one standing. The show offers contestants the chance to win $1 million by beating ten opponents in a series of 10 fast-paced and dramatic trivia matches. As the clock winds down, contestants fight to be the last one still standing. If they are left scrambling for the answer, they will be literally dropped out of the game – straight through the floor of the studio!
The show is an original format of July-August productions, which have won the Israeli Academy awards for 3 years in a row (2015-1017) and has commissioned 5,000 episodes globally (US, Spain, Italy, Germany, France, Belgium, China, Brazil and Greece).

BLOCK OUT

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BLOCK OUT

BLOCK OUT

In this fun and hilarious format, two teams of four players – each with their backs literally against a wall – battle it out in a variety of physical games, combining trivia, strategy, and chance. The teams’ identical walls comprise of more than 100 giant blocks. Across several nail-biting games, wrong answers and bad judgments see blocks push out in a variety of combinations and speeds, forcing contestants into crazy positions to try and avoid being knocked into the pit below.

Created by Nippon TV and July August productions

More than 100 episodes on Channel 7 Thailand sold to Indonesia and Vietnam

84

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84

84

A unique social experiment that brings together elderly people in a retirement community with a group of 4-year-olds. The show follows 10 retirement home residents and 10 pre-school aged children, who spend time with each other playing games and participating in different planned and mixed activities.

Could this encounter between young and old help transform the lives of the elderly?

My Kitchen Rules

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My Kitchen Rules

My Kitchen Rules

My Kitchen Rules is a competitive cooking competition show broadcast on Keshet 12.

The show have teams of two contestants with pre-existing relationships, from all over the country, competing against each other to “transform an ordinary home into an instant restaurant complete with theme and table decorations for one pressure-cooker night.”

Significant other

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Significant other

A new romantic comedy centered around two neighbors in their late 40’s – a single woman and a newly separated  man –  who find themselves living door- to- door in the same apartment building , and embark on enter a hesitant, obstacle-filled romantic relationship. Assi left a twenty year marriage and two children, hoping to spice up his life, but almost immediately regrets it. His wife refuses to forgive him and now won’t take him back . Alone in his new and miserable apartment, he decides to commit suicide to make her feel guilty. Swallowing  a cabinet full of medicine,  he lies down in bed, and waits to die. His hope for eternal rest is quickly disrupted by a stubborn, persistent ringing at the door. His neighbor from across the hall  is in the midst of a heart attack and asks him to wait with her until the ambulance arrives, as she doesn’t want to die alone. He lets her into his home and together – they wait. When the ambulance arrives, the paramedics have to evacuate them both. From this ill-fated encounter,  Dana and Assi – two lonely people who have lost all faith in love,  discover that even when life seems to have passed them by – there are still surprises to be had.

Sleeping bears

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Sleeping bears

When dark secrets threaten to destroy her closest relationships, teacher Hadas is drawn into a complex and deeply personal search for the truth in this gripping psychological drama from Keren Margalit, award-winning creator of The A Word.

Working at a school for “high risk” pupils, every day Hadas fights in her own special way for her students, treading carefully through each’s own unique universe. But her world is turned upside down when she receives an envelope containing sections torn out of her psychologist Ya’akov Eshel’s diary – papers documenting their private conversations. And, on the same night, Ya’akov is unexpectedly killed in a car accident, cutting off any chance for Hadas to discover how the diary came to be in a stranger’s hands.

In a desperate search to track down the anonymous sender, Hadas will be forced to deal with the truths she has concealed from those closest to her – and from herself. As her 40th birthday approaches, Hadas is stuck in a less than passionate marriage and also suffers from an ever-growing fear of impending death. The investigation will impact every aspect of her life, shaking her relationships with her husband, her boss and her best friend, as well as the bonds she has strived to build with her students.

Sleeping Bears blends a captivating thriller with a moving drama focusing on our ability to trust those we are closest to, as Hadas questions the fundamental elements of every human connection – love, trust and, ultimately, truth.

YOU CAN’T ASK THAT

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YOU CAN’T ASK THAT

A factual format released first on ABC Australia.

Each episode asks controversial questions sourced from the public to a minority Israeli population including people of transgender, Ex-prisoners, refugees and more.

The show aims to offer insight into the lives of marginalized communities and break down stereotypes

The Department of Special Objects

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The Department of Special Objects

A comic children’s series documenting one of the most highly confidential places of employment in Israel – the department of special objects, an archive where all the great and important historical objects of the state are kept. A new historical  object arrives at the department in each episode,  which the department employees have to prepare for exhibition. The department staff is made up of an ensemble of characters, all with a wide giving heart, but all lacking in terms of clarity and logic.

A comic narrative stands at the center of each episode, and the series in effect presents a fun and original way to learn about many central aspects of Israeli history.

Cash Register

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Cash Register

Cash Register

A comic series telling the tale of a failing supermarket in a backwards town and following the daily events that take place within the supermarket.

The series goes into the details of everything we don’t know about the behind the scenes occurrences in the supermarket – the relationships between the employees forced to work in a place they feel no loyalty for, the customers with their baseless and petty demands, the management’s abusive attitude towards the employees, and the private lives of the workers at the bottom of the employment hierarchy.

Cash Register

ZERO Motivation

Three consecutive stories, The Substitute, The Virgin and The Commander, recount the events of an administration office at a remote army base in the Israeli desert. The stories compose a military epic of power-struggles, intrigues and a friendship on trial.

But unlike the traditional war genre films, Zero Motivation brings to center-stage the military’s female clerical staff. The film depicts the three soldiers’ real – and surreal, comical – and gloomy journey inside the maze of military bureaucracy. For a staple-gun in the first act is sure to go off in the third.